Thistles, Glyphs and Ciphers 




pigment prints, dimensions variable




After Memling: A Jug of Flowers  2016

monoprint: pigment print and oil stick, 30 x 48 inches



Up Needs Down Like Down Needs Up  2017

Monoprint in two connected sections with an inlaid white gold leaf central line and wooden dowel "hitch" with wrapped embroidery floss.  34 x 52 inches framed 





Breaking the Swing  2017
Breaking The Swing (2017) 14 x 50 in

Bather  2018


There Should Be An Inner Clock   2017
There Should Be An Inner Clock (2016) 14 x 48 in pigment prints, approximately 15 x 48 inches



THISTLES, GLYPHS AND CIPHERS 

Source Materials Behind the Pictures


1) randomized old testament fragment:

SEEM TO BE NOT HEAR THEREFORE RESTORE THE TOKEN OF THE CHILDREN AND FROM THEE OF THE LAND IN SILVER AND HE SOUGHT THY SEED I HAVE NOTHING TO PASS ON TO OUR FATHER'S HOUSE REPLENISH THE DROVES SAYING ALL FLESH WHEREIN IS STUBBORN AND HE MADE OBEISENCE TO HIS DREAMS AND FOR ME HE GIVETH GOODLY WORDS A DREAM BEHOLD HITHERTO THOU SHALT NOT AND THE HAND THE DOOR AND IT WAS CLOSED A FAIR WOMAN TO THEE BUT IF HE SAID I MAY BLESS THEE IN A POSSESSION OF MOURNING BOUND UP EARLY IN THE LAND WHERE ART MY SOUL AND HE KNELT AT THE GATE OF THE MOUNTAIN

2) random integers generated by atmospheric noise:

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

3) bitmap image fragments of flora


Visualize a transitional likeness of the natural world – neither landscape nor still life, but information – in which each picture-building component is a signifier.

Categories and schematics take over, as each picture edges away from the particular and tilts toward a set of circumstances.

It’s worth remembering that it serves no useful purpose to deconstruct what Beauty is, unless you’d like to get rid of it.




© 2020 Tim Trompeter